At Google Campus I said it within the time limit of 30 seconds. On this video I was less militant to commemorate the representatives of:
- IBM with suit and without slides;
- Fujitsu with slides;
- Oracle with suit and a paper notebook;
- Microsoft in jeans and with slides!
I had laminated pages to introduce our Smart Knowledge Engine:
Comparing the 5 minute with the 30 seconds time limits, we have to ask ourselves whether Time is really Money when the difference is between well paid staff and entrepreneurs, inventors and start-ups who struggle getting money from anywhere.
The latest banner is a little taster of what our Smart Knowledge Engine can produce:
Blood cells and 3D Graphene at ‘digital nanoscale’, the Mona Lisa painting that gets her to open her eyes before yours, when you tilt the image as a movable object, Antarctica from a satellite image and the sun from a video of the Starshot project: our Smart Knowledge Engine deals with any technology, at any scale, in any ‘domain’ – for detailed investigation with a kind of ‘software lens’ or ‘image filter’.
Re-visualisations serve the purpose of setting boundaries for automating the processing of images: Continue reading
These maps are available on data.gov.uk
DEFRA the Department for the Environment, Food and Rural Areas has been participating in the government’s Open Data initiative with Open Defra and Defra Digital.
Re-visualising them with our Smart Knowledge Engine as a 3D object reveals remarkable depths and heights in the ‘pixel accuracy’ that we deliver. After all, imaging technologies flatten both earth and waters.
The question is whether flood experts are happy with what they are used to seeing or whether they’d be interested in exploring more depths and investigating more heights?
A conference will be held by Flood & Coast in Telford on 28 -30 March.
This video shows four ‘reference images’ and how their ‘digital building blocks’ reveal the differences between
- height and depth or mountains and valleys
- inherent colour and ‘calculated’ or ‘attributed’ colour
- lighting as an external source for creating visual effects.
ENJOY and let me know if you’d like to upload your own files to our ‘work in progress’!
Sabine at domain name 3d-metrics.com
‘Digital Colour Brightness’ in ‘True Colour 3D‘ is the output of our ‘Smart Knowledge Engine’, here demonstrated on a small reference image of a colour spectrum:
‘Digital Colour Brightness’ is the ‘fundamental measuring unit’ that we visualise with our ‘Smart Knowledge Engine’.
‘Digital Colour Brightness’ is the result of
- the digitisation process of the imaging technology plus
- the innovative numerical representation of matrices on screen and
- the creative usage of the Graphical Processing Unit [GPU] in modern computers.
- Input DATA
Our ‘Smart Knowledge Engine’ accepts as input data any image produced by any imaging technology. This includes stills taken from videos. Continue reading
These Reference Images were synthetically created by NPL, the National Physics Laboratory. Ages ago I re-visualised them with my offline prototype as one of my attempts to convince people that I understand Number in a way that offers a new approach to image analysis.
Now Neil Lowden has taken my concepts and brought my prototype up to the state of the art of 3D graphics. As a result, we now turn 2D images into movable objects – in ‘True Colour 3D’ – a new kind of 3D with visual and metric qualities.
The question is: what do you want to see more of at nanoscale – in True Colour 3D? Stem cells as below?
Do get in touch with Sabine @ domain name 3d-metrics.com if you want to see more depth, detail and structure and soon MEASURE this and if you want to try for yourself!